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Dimensions - Winter 2003

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Not that long ago, the lively, ringing tones of the steel drum might have been one of the last things one would associate with UND. But the popular addition of this calypso sound underscores how the Department of Music reaches out to student interests.
Hitting the High Notes
 
By Marilyn Hagerty

A steel drum concert at the Chester Fritz … An organ recital at the First Presbyterian Church … A performance by the Pride of the North Marching Band at a football game … that best-known and biggest crescendo of the season, the annual Madrigal Dinner.

That’s how it was at the University of North Dakota during the fall semester – a steady stream from the Music Department by ensembles and large groups, individual students involved in the Greater Grand Forks Symphony and the Master Chorale.

The beat continues in January when the annual Honor Band and Choir Festival expands to include orchestra music. More than 300 high school students selected through auditions around the region will be on the UND campus January 16 to 18.

The tempo and tone of music flowing from the Edmond Hughes Fine Arts Center reaches across the campus and throughout the region. At the center of the vibrant Music Department — like a conductor — is Gary Towne, its chair.

He is pleased with the increase in music majors to 124 this year, compared to 116 last year and around 100 in previous years. Beyond that, the Music Department serves 1,500 students every year who take non-major courses or participate in musical groups. Their education is enhanced by music. Towne likes to think those who major in music are never really aware of making the decision.

“Music is within them,” he explained. “It never leaves, and they can’t escape because it has a grip on their souls.”

Towne, in his fifth year as department chair, says he has built on the work of his predecessors. In a restructuring, the Music Department was moved to the College of Arts and Sciences with Martha Potvin as dean. And Towne says, “We’re quite happy with it.”

However, he says the department is experiencing growing pains and looks longingly down the road to a time when an addition can be built on the Hughes Fine Arts Center. The department needs a concert facility larger than the Josephine Campbell Recital Hall for its group performances that are not large enough for the Chester Fritz Auditorium. At the present time, these are held in various community churches. There is a need for another rehearsal room, and the music library is bursting at the seams.

Although space is limited in the Hughes Fine Arts Center, Towne sees benefits in providing office space for and collaborating with community groups such as the Greater Grand Forks Symphony Orchestra and the Grand Forks Master Chorale.

He has helped foster the reincarnation of a marching band, Pride of the North, under the direction of Robert Brooks. More than ever before, the UND Music Department is making itself heard far and wide.

The University bands, all under the direction of James Popejoy, are making a statement. And Towne ticks off other departmental highlights:

James Popejoy’s contributions to the series, “Teaching Music through Performance in Band,” have placed him in the national eye.

Eric Lawson, professor of violin, has in his first year developed a chamber orchestra of 17 strings.

Music Therapy, taught by Therese Costes, is filled to capacity with 20 students in its three-year history.

Dorothy Keyser, assistant professor who teaches music appreciation, has begun a fascinating collection of musical instruments from all over the world.

Royce Blackburn, assistant professor of voice performance, directed a production of a Mozart opera last year and plans to direct Gilbert and Sullivan’s “Mikado” this spring.

Anne Christopherson, assistant professor of voice performance, made her Paris debut during the summer with UND graduate Mary Dibbern.

Sergio Gallo, assistant professor and director of piano studies, presented concerts during the past year in Taiwan, Portugal, Germany and Norway.

Mike Wittgraf, associate professor of composition, music theory, and bassoon, won a commission from the National Symphony and had compositions played at 10 different concerts during the past year. He was commissioned in 2003 to compose “Child’s Play,” a work that combines 50 children’s tunes. It was presented in November for the North Dakota Music Teachers Association in Bismarck.

Towne considers the blossoming of small ensembles a measure of musicianship in the department. The Gabe Granitz Quartet, for example, grew out of the jazz band. It includes Granitz on alto sax and piano, Jared Johnson on tenor sax and piano, Mark Lentz on base guitar, and Adam Cowger on drums.

Towne himself has been singing as tenor in a quartet doing Renaissance music. Other members are Bruce Fischer, Royce Blackburn, and Tom Rogers.

As a musician, Towne is a jack-of-all-trades, playing piano and organ. His research has centered around music and musical patronage during the Renaissance in Bergamo, Italy. He has lectured before professional audiences in Europe, North America and the British Isles. He is publishing the complete works of Gaspar de Albertis, a Renaissance composer.

Towne came to UND in 1988 after teaching for three years at Middlebury College in Vermont. And though he has been chair of the department for the past five years, he still is doing some teaching. He finds excitement in trying to build the department and revels in the success of his colleagues. The son of a country doctor, Towne grew up in Underhill, Vt., and graduated from Yale. He earned his Ph.D. in 1985 at the University of California-Santa Barbara.

Towne feels as comfortable in Grand Forks as he does on the campus. He finds cultural opportunities remarkable for a population this size. “I’ve never been in a place,” he said, “where people have a greater interest in and appreciation of music.”

     
     
  From the very beginnings of the University, music instruction was a subject that drew strong interest from students. The ability to play a musical instrument was particularly seen as a mark of culture and accomplishment. However, the thin operating budgets of the young institution often made it hard to meet this interest. Wesley College, a Methodist institution, opened just north of the UND campus in 1906 and entered into affiliation agreements with the University. For years, the College’s Conservatory of Music supplied almost all of the vocal and instrumental instruction for the University’s music department. While UND’s music department expanded rapidly in the 1920s, it offered mainly courses in theory and history, and applied music was handled by the College. In 1953, Wesley College closed its music department and transferred its faculty to UND.  
     
 
Marilyn Hagerty, the author of this article and other music-related articles on Pages 1, 4, and 5, is a frequent contributor to Dimensions and a longtime columnist for the Grand Forks Herald.
Dimensions - Winter 2003
Volume 2, Issue 2, December 2003

Dimensions is published quarterly in September, December, March, and May by the University of North Dakota. It is published by the University of North Dakota, Charles E. Kupchella, president, with assistance from the Office of University Relations, Box 7144, Grand Forks, ND 58202-7144

Contributors:
Charles E. Kupchella, David Vorland, Peter Johnson, Marilyn Hagerty, Kathryn Sweney, and Daryl Sager. Photographer Chuck Kimmerle. Designer: Dick Larson. Web Designer: Chad Sperling.

Content may be reprinted without prior permission for non-commercial purposes. If you have questions or comments, contact us at (701) 777-2473, or email University Relations. To reach Office of Enrollment Services, UND's main recruiting arm, call 1-800-CALLUND (225-5863).

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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